The buildings were designed symmetrically
to the design architect Vitrivius. The warm rooms face south, and in
the middle of the southern facade is the caldarium - the hot water
bath. The two entrances can be found on the northern side of the
complex. The dressing rooms were large enough to fit all visitors and
provide comfort and this is where the slaves would stay and keep the
clothes and jewels safe while the citizens of Odessos enjoy the baths.
The highest preserved part, the Roman tower was one of the
walls of the western apoditerium. Bath procedure was the so called
"short bath" - the frigidarium, the tepidarium (warm bath) and
eventually the hot bath in the caldarium. The program continued
on to the small tepidarium, and frigidarium. All halls were
located so that the men and women could bathe separately.
The building itself was about 20 meters high (the preserved part of it
nowadays, the Roman tower is 18 m high), constructed from both stones
and bricks. The outer walls and the halls were decorated with marble
columns, ornaments and other architectural elements. Another feature
was the number of statues of distinguished citizens and Roman gods,
built up together with the fountains. The sewerage was
symmetrically laid, with arched canals integrated in the thick
foundations which eventually discharged into the Black Sea.
Social and political crisis in
the 3rd century caused damage in the Roman Empire and in Odessos. The
maintenance of the baths became very expensive and they gradually fell
into decay. From the 6th century the stone and decorative elements were taken and used for the construction of
other buildings in the city.


The Orthodox Church of St.
Atanassii in Graf Ignatiev Street, adjacent
to the Baths, is famous for its festive icons, The Annunciation,
Christmas, the Virgin Mary, and is well worth a visit. The iconostasis
is a masterpiece of church art. Different rituals are performed in the
church like weddings, christenings and others.