The Motor Ship Queen Isis docked at the town of Edfu in the morning and after
another early breakfast we were taken by coach for a five minute ride to the Temple
of Horus sited on the outskirts of the town.
On later trips to Edfu I chose to walk from the ship to the
temple and saw the town at first hand. A bit of a culture shock for the
fainthearted. The back streets were dusty and dirty, strewn with rubbish,
building rubble from partially demolished buildings, and the occasional dead
animal but I am pleased to say that like elsewhere in Egypt conditions are
improving on a daily basis, but still be careful about drinking the water. That
being said the biggest carrier of the "Tummy bug" in Egypt is the paper money.
It is always dirty, and since my wife refused to handle it, in any way, after
being told about this by a Egyptian, she has
been free of Pharaoh's Revenge ever since.
Incidentally, most toilet
facilities outside of the boat and hotels leave a lot to be desired, and the
toilet at the temple in 1989 was unbelievable. An excrement splattered hole in
the ground. Hopefully it has been modernised.
A statue to "peace" in the town
is quite a work of art, and it would seem that the modern Egyptians are as
equally gifted as their ancestors.
On arrival at the
temple one is greeted with a fabulous view of the rear of the temple enclosure
wall which is adorned with a long line of 15 foot high reliefs of the gods and
pharaohs.

Entry to the
temple is around the front, of course, and we had to walk along
the side of the
massive enclose wall which gave an indelible
impression of just how big this
place really was, the massive left arm of the twin pylons looming high above our
heads in the distance. A novel short cut to the front was accomplished by means
of a tiny dark tunnel through the heart of the pylon. Click on the thumbnail for
a large plan of the complex. Without doubt this was becoming another Indian
Jones adventure with dark tunnels, narrow stairways disappearing upwards into
the gloom, giant bird statues everywhere, and the picture stories of the god
Horus on every square inch of the walls, inside and out. These priests lived and
breathed their religion on a daily basis.
Going through the massive pylon gateway we
emerge into a huge pillar-lined courtyard.

Numerous statues of the god
Horus in his form of a falcon bird are dotted at strategic positions guarding
the entrance to the temple and the hypostyle hall.
Some of them are over 12
feet tall making them the original big bird.


From the
brightness of the open courtyard we proceed with caution into the cool gloom of
the Hypostyle Hall. Unlike at the Dendara and Esna temples, there is no chatter
of noisy sparrows here. The whole of the open section at the front of the Hall
has been encased in a gigantic open-work wire mesh to keep them out, and it
works. One can sit inside in total silence, except for the intrusion of Tour
Guides chattering away in every language known to mankind.
The Hypostyle Hall has unusual
frond topped columns and displays the usual majesty and
magnificence
associated with a
solemn
temple of the ancients.

Every wall is
covered with hieroglyphic text with prayers to the gods, dedications and the
specific instructions about what to do, and when to do it, especially on the
walls of the small gap between the temple and the outer wall.

The final
destination is the Naos, the Sanctuary of the Holy Barque and the
original Altar, which is carved
out
of one massive piece of the hardest black fine grained granite. Some 10 feet
high, it's huge, and must have taken the artisans an awfully long time to carve
it out, polish and inscribe such an edifice. The
wooden barque is not original, but a fine
detailed replica.
Back, outside of
the main temple, we walked some considerable distance to get some long range
photos before calling it a day and heading back to the ship, for dinner, and an
overnight sail to Aswan, bypassing Kom Ombo Temple which we would visit on the return
trip back to Luxor. At a much later date we managed a night time photo of Edfu
Temple.